Jazz double-bassist Ben Robertson graduated with distinction from the Improvisation stream of the Victorian College of the Arts in Melbourne, Australia 1987 where he was awarded both the Gwen Nesbitt scholarship and the Mensa award for musical excellence. There he developed a reputation for musical excellence and melodic inventiveness leading to many and varied professional opportunities as a performer.
Ben has extensive experience in a wide variety of musical settings, with recording studio credits of over 60 jazz and commercial CD releases. He is regularly featured in Australian film scores, along with television appearances and touring commitments with local and international artists. He is a harmonic and listening musician; a great asset to any ensemble both as an improvising soloist and arranger.
His performance highlights include
- Tours of Italy, Norway, Denmark and Finland with the Jo Chindamo Trio
- Australia wide tours with Danish saxophonist Hans Ulrik
- Jens Winter and Dale Barlow National Tour
- National tour with Barbara Cook
- Guest appearances with the West Australian and Tasmanian Symphony
- Orchestras and James Morrison
- Performances with UK jazz diva Claire Martin
- Collaboration with Don Harpers ‘Illawarra’ project
- Australian concerts with US Jazz Vocalist Mark Murphy, Lee Konitz
Award highlights include:
- Co-composer/arranger and performer in 2007 Bells award winning Album ‘Grace’
- best jazz vocal album 2007- Lisa Young Quartet
- APRA finalist nomination for most performed jazz work of 2007
- Jones/Gould/Robertson ‘Meditations on Love’
- ARIA Award nominee for Best Jazz Album,
- Jo Chindamo Trio, ‘Anyone Who Had A Heart’ 1999
…offers sure lines and a rounded tone… his dexterity takes the music on interesting journeys… ABC 24 Hours, Dec 2002
Bassist Ben Robertson, playing with the American for the first time, was in astoundingly good form, offering some riveting solos that Vache declared were some of the finest he had heard. – Age September 2010
…Ben Robertson’s elegant bass is the crucial element here. It climbs about, but always refers to the tonal and rhythmic centre in the right places… – Sydney Morning Herald, October 8, 1992
….beaming with pleasure, exuding a joyous energy -Age May 30, 2009Ben is highly regarded as an educator of the contemporary jazz language and holds positions in two Australian Tertiary Music Schools: Monash University Tertiary Double Bass tuition, examining (2006-present) Victorian College of the Arts Tertiary Double Bass, Ensemble/Workshop tuition, lecturing. (1989-present)
ABOUT
BEN ROBERTSON
Bassist Ben Robertson has been part of the Australian jazz scene since the late 1980s, performing and recording with artists such as James Morrison, Tony Gould, John Sangster, Graeme Bell, Graeme Lyall, Don Burrows, Lee Konitz, Vince Jones, Barry Tuckwell, visiting artists such as Mark Murphy, Rudolf Josel, Ertha Kitt, Broadway diva Barbara Cook, Grammy award winner Nicol Zuraitis, UK diva Claire Martin, Lew Soloff, Don Rader, Warren Vache, Dane Hans Ulrik and US pianist Brett Williams. Most recently he has documented work on a critically acclaimed CD with vocalist Chris McNulty.
He is a harmonic and listening musician; a great asset to any ensemble both as an improviser, soloist and arranger. A graduate of the Victorian College of the Arts, Ben has had several compositions published internationally and in 2018 toured Australia and New Zealand with the Australian Opera performing West Side Story. In 2024 he completed a PhD in music performance at the Australian National University. He holds an associate lectureship at Melbourne University, School of Music. Apart from performing, practicing or being with his family, Ben spends any spare time fixing up things, trying to control spin in table tennis and dreams about restoring an old car.
Performance highlights include:
- Tours of Italy, Norway, Denmark and Finland with the Joe Chindamo Trio
- Australia-wide tours with Danish saxophonist Hans Ulrik
- National Tour with Jens Winter and Dale Barlow
- National tour with Barbara Cook
- Guest appearances with the West Australian and Tasmanian Symphony Orchestras and James Morrison
- Performances with UK jazz diva Claire Martin
- Australia Wide performances with Grammy award winning artist Nicole Zuraitis
- Collaboration with Don Harpers ‘Illawarra’ project
- Australian concerts with US Jazz Vocalist Mark Murphy, Lee Konitz, Warren Vache, Lew Solloff
Ben’s composition Long Stream was selected as a finalist for the international ‘Double Bassist’ magazine competition ‘One-minute Wonders’. The work received its International Premiere in Wells, Scotland, October 2007. His composition ‘Open Land’ for Double Bass and Piano, received the ‘highly commended’ award in the International BIBF competition UK, 2009.
In 2008 he received skills and arts development funding for study in Chennai India with renowned Carnatic Violinist V.S. Narasimhan.
In 2024 Ben was awarded a PhD in Music performance.
He currently holds an associate lectureship at Melbourne University School of Music.
Award highlights include:
- Co-composer/arranger and performer in 2007 Bells award for best jazz vocal album 2007- ‘Grace’ Lisa Young Quartet
- APRA finalist nomination for most performed jazz work of 2007, Jones/Gould/Robertson ‘Meditations on Love’
- ARIA Award nominee for Best Jazz Album, for Joe Chindamo Trio, ‘Anyone Who Had a Heart’ 1999
Ben has performed in diverse situations with artists such as James Morrison, Tony Gould, Graeme Lyall, Don Burrows, Lee Konitz, Vince Jones, Barry Tuckwell and visiting artists Mark Murphy, Rudolf Josel, Ertha Kitt, American broadway diva Barbara Cook, UK diva Claire Martin, Lew Soloff, Don Rader, Warren Vache and Dane Hans Ulrik. Most recently he has documented work on CD with the group FGHR, the Lisa Young Quartet, Matt Kirsch, Tim Stevens trio, the Fiona Burnett trio, Tim Wilson trio, and vocalist Alison Wedding.
“…offers sure lines and a rounded tone… his dexterity takes the music on interesting journeys… ABC 24 Hours, Dec 2002″
“Bassist Ben Robertson, playing with the American for the first time, was in astoundingly good form, offering some riveting solos that Vache declared were some of the finest he had heard. – Age September 2010“
“…Ben Robertson’s elegant bass is the crucial element here. It climbs about, but always refers to the tonal and rhythmic centre in the right places… – Sydney Morning Herald, October 8, 1992“
“….beaming with pleasure, exuding a joyous energy -Age May 30, 2009“