Below are compositions and transcriptions by Ben Robertson featured in recent CD’s , including 2 prize winning compositions published by Recital Music in the UK.
Most orders sent within 2-3 days of the payment clearing.
They will be emailed (except where otherwise indicated) as licensed PDF downloads, with a receipt and license.
To see a preview of what the music looks like click here
For more information, read the Store FAQ
If you have any further questions please email info@benrobertson.com
Ben’s Mphil thesis What happens next? Imaginative presence in Gary Peacock and Lee Konitz: Divergent fields, audiation, and the unexpected can be found at
http://hdl.handle.net/1885/117208
Ben’s PhD thesis Singing the bass. Vocality, technique, physicality and imagination in a double bass improviser praxis
Jazz repertoire
[wpsc_products category_id=’8′ sort_order=’date’]
Classical repertoire
[wpsc_products category_id=’9′ sort_order=’date’]
PUBLICATIONS
Below are compositions and transcriptions by Ben Robertson featured in recent CD’s , including 2 prize winning compositions published by Recital Music in the UK.
Most orders sent within 2-3 days of the payment clearing.
They will be emailed (except where otherwise indicated) as licensed PDF downloads, with a receipt and license.
To see a preview of what the music looks like click here
For more information, read the Store FAQ
If you have any further questions please email info@benrobertson.com
Ben’s Mphil thesis What happens next? Imaginative presence in Gary Peacock and Lee Konitz: Divergent fields, audiation, and the unexpected can be found at
http://hdl.handle.net/1885/117208
Ben’s PhD thesis Singing the bass. Vocality, technique, physicality and imagination in a double bass improviser praxis
